THE FILECLERK'S GUIDE TO THE PDC


Intro Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9
Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter B1 Chapter B2 Chapter B3 Chapter B4 Chapter B5 Chapter B6

CHAPTER 3 - SPACE

SPAÇATION

1. The Subject of Space

Spaçation is a wonderful word. I made it up all by myself. You won't find it in any dictionaries. It means a process having to do with the rehabilitation of the creation of space. It also would have a second meaning. And that meaning would be, "creation of space". In English we don't have a word which means "creation of space", but you keep making this space called MEST universe all the time. It would also have another meaning. It would mean, "the subject of space". We call the process "Spaçation" and spaçation would be the subject of space. This is above the subject of energy.

Spaçation is the subject of the creation, handling of, or concept of space.
The physicist has no definition for space. He operates in space all the time but he doesn't have a definition for it. He says, "space," and everybody knows what he means, only he doesn't know what he means. If you merely have three things, each one defined in terms in terms of the other two, and without any further definition, don't think you have something defined. That's definition by association. "Space is something that is determined by time and energy, and energy is something determined by space and time, and time is something determined by energy and space."

2. The Definition of Space

Space is a viewpoint of dimension. That's a good definition. Thought it up myself and recommend it to you very thoroughly. You are the viewpoint, and from that viewpoint you envision space and so you mark out the space and there you are, and that is space. You say space is down that-a-way, there's a point and there's a distance between yourself and that point. There's a dimension between yourself and that point.
Is space an actuality? No, it's not an actuality. It's just a viewpoint of dimension. Therefore many things can exist concurrently with many other things in the same space. When your preclear really gets good, he can put ten-ton trucks into match boxes like mad.
Space is a viewpoint of dimension and that's all it is. Is there any space? No, there isn't any space. Well, why do you see space? You've got to see space, because if you're going to have objects, you've got to have some space to have'em in.
Well, if it isn't there, it can be very easily aberrated, if everybody's under a force draft that it exists. The only way you can keep away from anybody or have any identification of yourself and an identification of somebody else, is put some space between.

ANCHOR POINTS AND MOTION

1. Anchor Points

The way you know you're there is you've got an anchor point up there in that corner of that room, up here, corner, up here, you look at those two anchor points - you're located with relationship to those two anchor points. So there you are. Anchor points are necessary to have motion. The preclear who has lost his anchor points has lost his motion, or rather his ability to move, like old people do.
Anchor point and interest are not the same thing. But they have been confused by the thetan. His earliest decided upon anchor points are really postulates. You don't have to have any anchor points at all, that's the whole joke. You get into space, the second that you believe there's space then you think there has to be anchor points, and the second that you get anchor points, you get relative size.

2. Origin Points

He can clearly be an origin point as long as he has a good solid assignment to anchor points. Your preclear needs anchor points to find himself oriented. The only way he could really be sure of anchor points is to mock them up.
You can have three kinds of points in space. There is an origin point, unknown but understood. You've not located that origin point, you just say all this space somehow or other comes from an origin point. (Remark: In the sense of somebody made the physical universe space.) This is the big point of origin down here, O. This is mythical.
There's origin point one and that could also be called origin point "I". That is the viewpoint of dimension, and that is the definition of space: Viewpoint of dimension, of the individual. And he looks around and he can assume viewpoints. The handiest way to do this is, of course, to simply mock up anchor points, mock up dimensions.
So you've got OM-1, and then you've got anchor points O-1, O-2, O-3 and O-4, so that you can get motion for OM-1. Nothing will move unless you do that.

An anchor point is that point which origin "I" assigns so that he can have dimension and motion. He has either assigned it, or just agreed upon it, agreed that he will assign it to these understood things. It says: "This is a room. A room has eight corners, therefore there are eight anchor points to a room. Every time you go in a room now you know this, there will be eight anchor points and you will accept immediately the anchor points which everybody around accepts as this room's anchor points. Is that understood? That's good. Now we've made you dependent."

3. Orientation

Orientation is the principle of being able to have an origin point in motion. All you got to do is feed somebody some hashish, and boy, do his anchor points go by the boards. He becomes sufficiently non compos mentis to be unable to control the anchor points of any area or postulate origin points of view. He gets distorted shapes of things. He lies down on the bed and the bed is 18 miles high. It is 87 miles to the door, the corridor is one inch long. He gets this kind of upset because it throws him out of "orientation".
It's also very upsetting to a preclear to find himself sailing through walls for the first time. Well, he'd postulated that you couldn't move in that area.
When a person goes down the tone scale, that is going down from a concept of being able to locate or orientate himself in space and originate space, down to being a chunk of something that's been located. In other words, the tone scale goes from theta to MEST.
An individual conceives himself to be as free, as knowing, as much cause as he can locate himself in space or create space. He's so as long as he can do that. Somebody is out in the country and he gets lost, well, he's not terribly lost, he can look at the vegetation and he can look at the road and he can look at things and he says, "Look, somebody with three-dimensional space on the brain built all this, I'm still here ... somewhere. I just have lost the difference between my immediate new anchor points and the anchor points to which I'm accustomed and I do not know the dimension from here to the point of origin from which I normally operate. I don't know that distance." And so he says he's lost, but actually just to that degree produces the most fantastic results on an individual, there is a hysteria that befalls individuals who are lost.
Young people feel lost in the military service, where they are issued arms and uniforms, own nothing, and are moved around by exterior determinism. The MEST universe is doing this to the preclear. I've been talking about the army, but the actual fact of the matter is I've been talking about inhabitants of the MEST universe. In they come, MEST universe says, "Now look, there's a bunch of natural laws and a bunch of agreements. And these are the anchor points and they are the only anchor points you can have and you locate yourself in the middle of these anchor points.

4. Motion

If only he were the origin point of dimension, he would never be in motion himself. He would be pinned in one place and that would be the end of that; but by letting other things take the responsibility for being origin points he can shift himself around in any confined area which he himself has uniformly postulated.
Individuals who move the least have the fewest clear anchor points. The ability of an individual to tolerate speed depends completely upon his ability to hold anchor points. Which depends only upon his belief in this ability, as anchor points come down to being postulates.
On a train, somebody walks down the aisle. Another passenger knows somebody's walking down the aisle of the train because he holds the forward end of the car as one anchor point and the after end of the car another anchor point, and the individual who is in motion, has a shifting dimension from one to the other of these two things. But let's look out the window. And there we see the countryside flying by like mad. Actually the countryside is flying by with relationship to the two anchor points, the forward and the back end of the car. Those are what's motionless and the countryside is flying by, of course. Now if you say every telegraph pole there is an anchor point, and those anchor points are shifting (being substituted by new ones), then you can conceive that the train is in motion. You can even sit in the train then and feel the train rushing forward and the countryside sitting still. It's quite a trick, but you can do that with great ease.
The sensation of speed in a vehicle has nothing to do with miles per hour except in relationship to exterior anchor points which the driver isn't perceiving. A very fast car has small wheels built close to the track. He's got an up-and-down vibration and sideways and so forth. A car with great big wheels and a big powerful motor, and it rides awfully easy - that's really a slow car. Railroads became so despairing about people believing trains didn't move fast that in most of those very fast trains, back in the parlor car they have a speedometer.

You are in motion in space and time. You're quite aware of that. But unless you compare that immediately and exactly to understandable experience, these three things aren't worth much to you.
Origin "I" is a viewpoint from which one can perceive anchor points, and these anchor points actually assign dimension or boundary to space. Whenever there is motion, one holds the anchor point and perceives the motion. He holds and perceives the anchor point and then sees something changing without those anchor points moving.
Here's his anchor points. Anything which he ordinarily orients his scenery by would be his anchor points; without those anchor points he wouldn't have any motion. If he had to use OM-1 (the primary origin) here all the time for his origin point only and his dimensional point only, he couldn't get any motion himself.

MEST UNIVERSE SPACE

MEST, I'm using our old word as to mean object, a solid object, and the space and enery and so forth which comprise such solid objects, the energy flows itself, and the space therein - I'm using just that term physical universe MEST. This place (the MEST universe) is rigged to enforce itself upon you. You can't have any of your own particles. And if you start using any, you're going to get in trouble. And you get the same kind of a state of mind that you'd get as a teenager in the army, on the part of most people. No responsibility, there's nobody taking responsibility for this universe at all.

This universe doesn't want anything to do with the energy you would add to it. Here is all of this energy and you don't create any of this energy; so the second you start going into agreement with the MEST universe, energy comes down, down, down as far as you are concerned. An individual for whom everything is done has no energy left to do do anything.

He didn't agree on this universe's space to the degree that you'd think he should agree. It wasn't a self-determined selection on his part, because he didn't help create it, and it was already there. He agreed on a totally different level, the hypnotic level. He agreed there was space there. He also consistenly agreed it was not his. And then he's agreed not to have energy of his own, but to use the energy provided in order to create anything there. And you wonder why he goes down scale, why he gets worse and worse.
If a bunch of you started disagreeing with the fact that the space of the MEST universe existed, it'd probably collapse. It'd cease to exist as space. Yes, it would actually cease to exist.

THE ORIGIN OF THE MEST UNIVERSE

There's an origin for MEST universe space, but you didn't agree to be that origin, because if you had agreed to be that origin, it would be you alone who would be there, manufacturing that space, and therefore responsible for everything in it. And you would not find that very desirable because it would be impossible for you to engage in any football games, or randomity.
The only space there is as far as he's concerned is the space which he is manufacturing every instant from viewpoint one. But he's manufacturing from viewpoint one a backtrack back to origin point and he's keeping this track manufactured all the time very arduously in order to have viewpoint one.

It's a sort of diffident thing. You don't say, "I'm origin for the MEST universe." Just think of this as the thought to yourself right now: "I'm at the origin point of the whole MEST universe." Sometimes people get pale when they think of that. What he does instead, he says, "Origin, I don't know anything about that, wherever the origin is. But I sort of look at what is there in terms of origin. I sort of look at this from a viewpoint here that's a secondary viewpoint and somebody must have given it to me.

THE VIEWPOINT OF THE MEST UNIVERSE

You can be at the viewpoint of dimension yourself. You can mock up one, put one out here. You can be at it yourself, or you can be operating in a hidden viewpoint of dimension. That is to say, there's a viewpoint of dimension over here someplace and you can actually operate without knowing exactly where it is. You just know you've got some space. You are at the viewpoint of the space of the MEST universe. But you're kidding yourself you're someplace else. Now, that's the trick of the MEST universe.
The body is a false viewpoint of dimension from which the thetan is operating, an extended viewpoint of dimension. If the MEST universe has given you the point of origin which you now use, you have abandoned your ability to be a viewpoint of dimension. So you don't think you can create space.

THE REHABILITATION OF SPACE

Operating from Q-1, that says creation of space, time, energy, matter, location in this, you see, if a man can't locate himself, it says he's not theta. He's MEST because MEST is what can't locate itself.
What is the origin point the preclear's been using all of his life? He's using one origin point or another all the way along the line, from his earliest childhood. His origin point has been dependent upon anchor points A-1, A-2 and A-3. He's using an anchor point from somewhere in this lifetime, somewhere on his track. They will be static, cherished visios. It's such a thing as the fireplug which stood outside his house when he was a little boy. The other anchor point might be a small hill he used to be able to see outside his window.
A preclear who is sort of scattered and dispersed, doesn't quite know where he is, and he's not oriented. You ask him to move out and be in a new space, why, his body isn't in any space, much less the thetan. He isn't in any space that he can recognize, as a body, and he's just abandoned the whole thing anyhow. So let's find his origin points for him. Let's relocate him and reorient him in space.

DRIVING IN ANCHOR POINTS

How do people control people? They get their anchor points out by telling them some good news. And then when they get'em good and far out they give'em some bad news. And the motto is, "Drive in their anchor points."
After a while, every time they have been driven off from a space - in any way - they've gone in near hysterics. Or anytime anybody's tried to pin them down into a space. Like being put in jail. Because that's really getting lost, that's too much stress of imposition of anchor point. And they can't stand it. They just go to pieces on it.
If a huge bus is making you very small, as a matter of fact it's driving in an anchor point. -If an explosion occurs somewhere in the vicinity of the preclear, he gets the feeling that his anchor points are going way out there again. But his attention is brought down here to the center of the explosion. So he has the feeling that his anchor points have closed in. So his dragging attention to the center of the body makes the body itself solid and makes him locate himself in one small area which is the area of the body, and that's just because it's impact against the body. But you can take anchor points and put them out all the way around and all those incidents will blow.
Regarding the loss of anchor points, he'd get the funniest sensation. "Someday I won't be able to walk to this corner." And in that whole subject lies nostalgia.

OBJECTS

What the devil's the difference between putting out some anchor points and putting out a few billion dimension points simultaneously to make this wall? There isn't any difference. You put out enough dimension points and you put them out in great big thick sheets and you stipple it in solidly enough and you believe positively enough that it's there and, boy! It's there! And that's about the long and short of how you put together reality. You stipple it in all the time. Arduous work, isn't it?
The importance of the object as an anchor point denotes a fairly low action in perception and experience. Instead of just putting out anchor points, the fellow looks for an object to be his anchor point.

One of the most confusing anchor points there is, then, is a body, because it's in motion and it's an object. This almost drives a baby batty. He looks for Mama, and Mama is on her way, this way and off and there again and then someplace else. A child doesn't have anchor points in the corners of the room, because he doesn't feel free enough to pervade this room and experience it. So Mama disappears for the afternoon - the afternoon then is completely lost.
The confusion between bodies and anchor points is at the root of a pc's inability to have enough space to exteriorize into. His lack of space, which is to say, his lack of anchor points, and his tremendous havingness with regard to objects, stick him.

AUTOMATIC SPACE

You want it all to be automatic, and you want sensation like mad. So you just skip the step of a postulation of space, and then you skip the step of a postulation of motion, and then you skip the step of postulation of placing energy (including emotion) there to emanate back at you again, all because you want the sensation to affect you. You want all this to make an effect out of you, because you want sensation from it, so you just skip these steps and you're all set. Except you wind up aberrated and homo sapiens.

SPACE AND BEINGNESS

We compare space to beingness. As a person increases in space, he increases in beingness. This is observable in a preclear and it's extrapolatable to other things. Space is beingness. If you think you're short on space you will automatically become short on beingness. A person is as free in space, and has as much space really, as he is willing to BE anything in that space.
What isn't he willing to be? That much space is denied to him. And when you get a person into the horrible situation where he doesn't want to be anything else but himself, you've got an aberrated boy right there. How much space has he got? He's got as much space as the body occupies.
Before beingness there must be a convincedness about beingness. One thing that he can't do is he can't unconvince himself once he's convinced. And that would be one of the rougher aberrations. In view of the fact that space is beingness, you have to be able to handle space before the preclear can BE anything. You've got to convince every preclear he's not dead, by giving him more space. To do that, you'd better be able to give him more beingness.

BEINGNESS AND HAVINGNESS

Before there is space for a high-level thetan, he does have a truth, and that truth is, "I AM". An individual's concept of his space regulates his concept of density. And his concept of density would be his degree of aberration or his degree of freedom. The denser, the thicker your preclear is, the less space he has.
Beingness is impossible without space, and loss of space makes matter.
As he goes down the line it becomes, "I am something", then "I am the something" and the "I am" becomes less and the "something" becomes greater, until at last he winds up in the conviction that the "something" is all the "I am" there is.
In Homo sapiens, the thetan doesn't have space, therefore he has no beingness. The body occupies the space where the thetan should be, so of course the thetan has no beingness. It's the body that has beingness, not the thetan.
Havingness becomes more and more important, down to the level of the psychotic, who will give away anything, or will take and hold on to everything - objects and words and everything else. His interest is terribly aberrated. And his belief in pain is very aberrated, and if you get somebody who is very psychotic, they've either abandoned the body to a point where anything could happen to it, or the tiniest little scratch is regarded by them as destruction beyond destruction.
As long as there's still a "something" that you can contact and communicate with, you can still start him back up the line toward "I am". But you have to take off to restore "I am" or his high level of truth by restoring it on the gradient scale of the "something" and more and more "I am". As he goes back up the line, he gets more and more "I am". The highest level truth that you could attain with an individual would be the springboard from which you started out to reach the highest level that you possibly could attain for this universe, which is "I am", with no need to be "something".

THE FILECLERK'S GUIDE TO THE PDC


Intro Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9
Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter B1 Chapter B2 Chapter B3 Chapter B4 Chapter B5 Chapter B6

CHAPTER 3